Tom Petty and the Heartbreakers - Refugee »
Posted By scott4261 5 months, 4 weeks ago in Arts & EntertainmentWe got some thin’ we both know it,
We don’t talk too much about it
Ain’t no real big secret, all the same,
Somehow we get around it
Listen, it don’t really matter to me
Baby, you believe what you wanna believe
You see, you don’t have to live like a refugee
Somewhere, somehow, somebody must have
Kicked you around some
Tell me why you wanna lay there,
Revel in your abandon
Honey, it don’t make no difference to me
Baby, everybody’s had to fight to be fre e
You see, you don’t have to live like a refugee
No baby, you don’t have to live like a refugee
Baby, we ain’t the first
I’m sure a lot of other lovers been burned
Right now this ain’t real to you
It’s one of those things you got to feel to be true
Somewhere, somehow, somebody must have
Kicked you around some
Who knows, maybe you were kidnapped,
Tied-up, taken away, and held for ransom
Honey, it don’t really matter to me
Baby, everybody’s had to fight to be free
You see, you don’t have to live like a refugee
No, you don’t have to live like a refugee
Baby, you don’t have to live like a refugee
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I'm scott4261. I live in Fayetteville, Arkansas with my partner, Mike, and our toy poodle, Romeo.
When I am am here, it's to ...
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scott42615 months, 4 weeks ago
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From allmusic.com:
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Not long after You're Gonna Get It, Tom Petty & the Heartbreakers' label, Shelter, was sold to MCA Records. Petty struggled to free himself from the major label, eventually sending himself into bankruptcy. He settled with MCA and set to work on his third album, digging out some old Mudcrutch numbers and quickly writing new songs. Amazingly, through all the frustration and anguish, Petty & the Heartbreakers delivered their breakthrough and arguably their masterpiece with Damn the Torpedoes. Musically, it follows through on the promise of their first two albums, offering a tough, streamlined fusion of the Stones and Byrds that, thanks to Jimmy Iovine's clean production, sounded utterly modern yet timeless. It helped that the Heartbreakers had turned into a tighter, muscular outfit, reminiscent of, well, the Stones in their prime — all of the parts combine into a powerful, distinctive sound capable of all sorts of subtle variations. Their musical suppleness helps bring out the soul in Petty's impressive set of songs. He had written a few classics before — "American Girl," "Listen to Her Heart" — but here his songwriting truly blossoms. Most of the songs have a deep melancholy undercurrent — the tough "Here Comes My Girl" and "Even the Losers" have tender hearts; the infectious "Don't Do Me Like That" masks a painful relationship; "Refugee" is a scornful, blistering rocker; "Louisiana Rain" is a tear-jerking ballad. Yet there are purpose and passion behind the performances that makes Damn the Torpedoes an invigorating listen all the same. Few mainstream rock albums of the late '70s and early '80s were quite as strong as this, and it still stands as one of the great records of the album rock era. -
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Progressive5 months, 4 weeks ago
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I've always been a Petty fan--and this has always been my favorite:
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http://www.youtube.com/watch?v=qNxfPAF1frM -
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